{"id":4405,"date":"2016-09-21T17:18:07","date_gmt":"2016-09-21T20:18:07","guid":{"rendered":"http:\/\/www.paideiamusical.com.br\/?p=4405"},"modified":"2020-04-28T09:51:57","modified_gmt":"2020-04-28T12:51:57","slug":"clarinete-solo-brasileiro","status":"publish","type":"post","link":"https:\/\/www.paideiamusical.com.br\/?p=4405","title":{"rendered":"Clarinete Solo Brasileiro"},"content":{"rendered":"

Clarinetista premiado lan\u00e7a seu primeiro CD solo em Curitiba<\/u><\/em><\/strong><\/p>\n

O clarinetista Jairo Wilkens<\/strong> traz nesse novo CD, que teve seu lan\u00e7amento no\u00a0s\u00e1bado, dia 24\/09<\/strong>\u00a0sua ousadia e paix\u00e3o pela arte ao divulgar e explorar novas possibilidades de repert\u00f3rio escrito para o clarinete solo. O CD traz pe\u00e7as n\u00e3o t\u00e3o conhecidas, mas que representam desafios e traduzem a evolu\u00e7\u00e3o do musico na perfei\u00e7\u00e3o, expandindo seu repert\u00f3rio e novas t\u00e9cnicas para o instrumento. O projeto tamb\u00e9m servir\u00e1 como documento de pesquisa para outros clarinetistas ou amantes da m\u00fasica erudita que queriam pesquisar ou saber mais sobre o repert\u00f3rio de m\u00fasica brasileira para clarinete solo.<\/p>\n

\u201cDo choro \u00e0s t\u00e9cnicas expandidas, passando pelo nacionalismo e desaguando na multiplicidade de tend\u00eancias do terceiro mil\u00eanio, Jairo Wilkens usa seu instrumento para nos conduzir pelas diversas po\u00e9ticas da m\u00fasica brasileira dos s\u00e9culos XX e XXI, contemplando compositores de diferentes gera\u00e7\u00f5es, estilos e origens geogr\u00e1ficas\u201d.<\/p>\n

A ideia veio ao m\u00fasico ap\u00f3s participar de um festival internacional de m\u00fasica no M\u00e9xico como bolsista premiado. Com dois professores renomados, Walter Boykens e Luiz Humberto Ramos, Jairo apresentou pe\u00e7as de compositores brasileiros para clarinete solo a qual foi amplamente bem recebida pelos professores que ainda n\u00e3o tinham conhecimento das obras.<\/p>\n

Formado pela Escola de M\u00fasica e Belas Artes do Paran\u00e1, Jairo Wilkens \u00e9 detentor de v\u00e1rios pr\u00eamios. Residindo tr\u00eas anos nos Estados Unidos, fez aperfei\u00e7oamento musical na classe do professor Paul Garritson (University of Missouri-Columbia) e do professor Howard Klug (Indiana University \u2013 Bloomington). Ganhador do \u201cArtist Presentation Society Audition 2008\u201d em St. Louis. Tem participado do important\u00edssimo \u201cClarinetFest\u201d, promovido pela \u201cInternational Clarinet Association\u201d.<\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong>PROGRAMA<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

SANTORO<\/strong>, Cl\u00e1udio \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/strong>Fantasia Sul Am\u00e9rica (1983)<\/p>\n

(1919 \u2013 1989)<\/p>\n

CROWL, Harry \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/strong>Introspec\u00e7\u00e3o I (1983)<\/p>\n

(1958-)<\/p>\n

CARVALHO, Antonio Gilberto M. de\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>Tr\u00eas Movimentos (1980)<\/p>\n

(1952-)<\/p>\n

FRIGATTI, Eduardo \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/strong>IGUA\u00c7U \u2013 da nascente \u00e0 Garganta do Diabo<\/p>\n

(2016)\u00a0\u00a0 (1985-) \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0* Obra dedicada \u00e0 Jairo Wilkens<\/p>\n

LACERDA, Osvaldo \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/strong>Melodia (1974)<\/p>\n

(1972 \u2013 2011)<\/p>\n

SANTOS, Murrillo \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/strong>Pequena Pe\u00e7a Brasileira (1987)<\/p>\n

(1935-)<\/p>\n

FICAGNA, Alexandre \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/strong>Inquieta\u00e7\u00f5es (2016)<\/p>\n

(1984-) \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0* Obra dedicada \u00e0 Jairo Wilkens<\/p>\n

BANDOLIM, Jacob do \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/strong>O V\u00f4o da Mosca<\/p>\n

(1918 \u2013 1969)<\/p>\n

\u00a0<\/strong><\/p>\n

Realiza\u00e7\u00e3o:<\/strong> Paid\u00e9ia Escola de M\u00fasica e Produ\u00e7\u00f5es Art\u00edsticas e Est\u00fadio Trilhas Urbanas.<\/p>\n

Incentivo:<\/strong> Positivo, Prefeitura Municipal de Curitiba e Funda\u00e7\u00e3o Cultural de Curitiba.<\/p>\n

PROJETO REALIZADO COM O APOIO DO PROGRAMA DE APOIO E INCENTIVO \u00c0 CULTURA.<\/strong><\/p>\n\n